Editing Strategies Don't start today's tasks until you have read through all your chapters and annotated everything on character, setting, and scene, and have mapped your story to a story arc. If you've done all the work of reading and painstaking note-taking, now you are ready to start the even harder task of editing. Unless you are one of those truly gifted authors, you probably have a long list of TO-DOs spread throughout your worksheets. You can tackle these items in any number of ways, but I recommend you start with fixing the biggest plot holes first. Your biggest plot holes may have to do with character development or they might be related to the timeline. Only you can figure that out, but if you such a big overwhelming list of things that need to be fixed that you are frozen with the fear of doing anything, let me give a few guidelines. 1. Make a back up your novel before you change anything. This means, make a duplicate record of your story and set it aside. Consider naming it by today's date OR better yet, with an addition to the title of the document like this: Original file name: Tomorrow Girl New copy file name: Tomorrow Girl - Big Picture Edits - 2019-05-09 2. Highlight the biggest plot holes that you can remember off the top of your head. Whether you are using a paper copy or an electronic version of your spreadsheet, grab a highlighter and choose a color. Use that highlighter on the top five issues regardless of which worksheet they are on. Big plot holes will be those gigantic inconsistencies either in how events occur on the story's timeline or in the way a character acts. They are items that break the story and may require you to be really creative in the way that you fix them. In some cases, they may require that you do a massive edit across multiple chapters or even rewrite a big chunk of your story. Fix the timeline items first if you have them, then move on to the character inconsistencies. 3. Pick one of the five biggest plot holes and tackle it. Before you actually start running a red line through all the text, grab another sheet of paper and write down five ways you could fix that one plot hole. If you are feeling overwhelmed by the complexity of the plot hole, try breaking it into smaller chunks. Finish these sentences. This part of the story isn't working because _____. If _____ happens, then _____ can't happen later in the story. This will help you pinpoint the first thing that needs to be corrected, because really, it could be a whole series of events that are coalescing to cause the plot hole. Try working backward if you need to. In order for the ____ scene to work, ____ must happen first. And in order for that to happen, ____ must occur. If you have a close friend or fellow writer in your community (whether in your city, via the phone, or online), consider talking through the issue and its possible solutions with them. Sometimes talking aloud will bring things to light that you haven't even considered yet and you may start to find that one solution from your list is better over another, even if it isn't the easiest one. 4. Go back to your highlighted item and cross it off the list. I like to use an alternating color of highlighter and draw my lines right through the first color. One done! Doesn't that feel good?! 5. Make another backup. If your first plot hole required extensive edits to multiple chapters, this might be a good time to create another version or backup of your book. I make backups every time I feel like I've done anything major to my story. For you, this may mean after this first set of edits. For someone else, it may mean after all of the Day 2 - 6 edits. Whatever you decide, think of it in terms of, what if I have a change of heart after sleeping on it? How easy will it be to revert back and consider an alternate plan of action? 6. Once you've fixed the biggest plot hole, get busy on the next biggest one. Continue using whatever strategies helped carry you through on fixing the first one. By the time you get to #5... Well, I'm not going to lie. The fifth one can be as tough as the first one, but because you have tried some different strategies for fixing the other four, coming to a solution might feel simpler. 7. Once you have the first five items fixed, highlight the next five and work on them one at a time as you did the others. Keep whittling away until the last things you have to fix are items like "the walls were painted blue in chapter 3 but they're green in chapter 7." 8. Celebrate! When you finish this big round of edits and have crossed off all the To-Do items on all of your worksheets, be sure to do something to reward yourself. Buy yourself a piece of your favorite pie or a new book from an indie author that you've been following. Have a glass of wine (even if it's the middle of the week!). Whatever is your equivalent of a pat on the back, go for it. Good job! You deserve it! DOWNLOAD: Editing Strategies Checklist Template Instructions Return to the Table of Contents Go to Day 11 - Perfect Every Scene with Purpose What is a Story Arc? A story arc is the traditional arc that builds the structure of a story. You may also find it called a story curve or simply, the story structure. While genres will vary to some degree or another, almost all stories follow the curve to some extent and so it has become a wildly popular topic among those who teach creative writing. The traditional arc is broken up into five stages which are in turn often broken into smaller components. If you think about your favorite book or movie, it's likely that you will recognize each stage. The stages are: Exposition, Rising Action, Climax, Falling Action, Resolution. The Five Stages of the Story Arc The exposition is the beginning of the story leading up to the curve and it's where we get grounded in the story. It's when we carry our book as we're reading to the kitchen, make a cup of tea, and then go burrow into a blanket to snuggle in. (Or put the book away if we aren't hooked, but more about that later.) We learn who is the main character, where and when the story is taking place, and what the character wants. That "want" is going to be a powerful motivation to moving the story forward. The rising action is the where the story starts moving forward. It makes up the bulk of the story with conflicts and challenges and it can be broken down further into four distinct components. A [trigger] provides some sort of insight to the main character that what is wanted can be obtained despite any doubt or fears they have. The [quest] is how the character gets past those doubts to go after the wanted thing. But then, [surprise]! - there's something more that raises a true fear and understanding of what failure could cost. And finally, the character makes a [critical choice] and decides getting the wanted thing will be worth every risk. All of this rising action and turmoil (whether it's internal or external) is ramping up for a big battle in the end and that big battle is the climax. This is when we find out, usually along with the main character, what that character (and us as extensions of that character as the reader), needs. Not wants! -- Needs. Finally, we have resolution and a return to order or a normal world. We see the main character returning home and taking his place once more in the world, albeit, changed in some way. There's often some sort of celebration or recognition of the main character having gone after what was wanted and achieving what was ultimately needed. Other Resources Several authors and writing professionals have created story arcs for the different genres. Search the Internet for "story arc" and the genre of your manuscript to see if one has been made for your genre. These are meant to help you understand from the unique perspective of your genre what each of these components reflect. This may be more helpful that the short description I've provided above and give more guidance in completing the exercise below. When you do your search, you may run across beat sheets. "Beat sheets" are another way of presenting a story arc in a less graphical way. Beat sheets are often set up as spreadsheets that list the "beats" in one column, a description of the beat/component in the next, and calculations of page or word count where each beat should be falling. If you are trying to shoot for a specific word count, you usually can recalculate the beats based on the total word count. Some of the beat sheets are set up to do the calculation for you. If you can't find a story map specific for your genre, visit Ingrid Sundberg's blog and see her Archplot Story Structure download. It demonstrates each of the pot points in several different ways. https://ingridsnotes.wordpress.com/2013/06/05/what-is-arch-plot-and-classic-design/ Why Map a Completed Story to the Story Arc? Mapping your completed story to a story arc is one more step to rooting out plot holes and fixing them. It will also make sure you have all the elements of a story that a reader expects to find in a story and that all those elements are in the right places. Exercise: Map Your Chapter Summary to the Story Arc
Before you get started creating your OneNote page, take your Chapter Summary outline from Day 5 and highlight all the items in your Chapter Outline that create tension and lead up to the climax. We can use this highlighted text for two exercises, including this one.
Considerations
DOWNLOAD: Story Arc Worksheet Template Instructions Tips for working by hand If you'd like to work on notepaper or set up your own table in your favorite application, include the columns listed above. The percentage listed is approximately the size you should make each column. If you are going to work by hand, give yourself plenty of space to complete the descriptions and notes for each component. Return to the Table of Contents Go to Day 10 - Strategies for Editing From Your Worksheets 5/3/2019 Day 8 - Find Your FlowOrganize Your Workspace
Week one of editing is in the books! Well done! Of course, now we get down to the challenge. Editing is a lot like completing a puzzle. Sometimes the pieces don't fit even though they look like they should. Sometimes all the pieces come together with hardly any work at all. And sometimes we have to spin some stuff around until it fits into place. Sometimes we lose a piece under the table. It's always fun when you get a piece from another box too, right? You may have started one worksheet each day, or you may have created all your worksheets in one day and are now ready to spend the next six days reading and annotating. You may be thinking to yourself, "This is a lot of worksheets." You're right. It is. I recommend you give yourself plenty of space to work. If you are working on hand-written outlines, find a place where you can spread out. You will be picking up and setting aside the various pages. A lot. If you are working strictly on your computer, and have dual monitors, you might try using Cascading Windows. To cascade your windows, follow these steps:
If you are working on your computer, a table device, or your phone, things will be a little more challenging for you as you swap in and out of outlines. In this case, think about printing a copy of your book if possible so you can read through the paper copy while working the outlines on the computer. Find Your Flow Once you've gotten the workspace under control, the next step is to find a rhythm to Read-Notate-Summarize-Repeat. When I first start my big picture edits, I like to start with my Setting and Character Analysis worksheets on top, and the reason is because the first handful of chapters are when you introduce characters and build their world. Somewhere about a quarter of the way through, you will find you are reaching for those worksheets less and by the time you are half-way through, you may not be reaching for them at all because your characters will be on pretty solid footing. You will only need those worksheets for major shifts or reveals...those ah-ha moments when readers think, "Oh, that's why she did that." Try to read through the chapter without stopping to edit as much as possible. Only pause when you have read a character or setting attribute. Stop mid-scene to notate items that are details about characters or setting. After you have finished reading through the chapter, then complete the Chapter Summary, Timeline, and Conflict worksheets while the chapter is still fresh in your mind. If you can't remember something, flip back and reread. If your chapters tend toward the long side, you can break your chapters down into scenes. Use a Highlighter Use a highlighter judiciously. Whether you are working in a paper copy of your book or with an electronic version, the highlighter will be your friend when you are trying to get through massive amounts of text in a relatively short period of time. If something doesn't read right, don't fix it - highlight it. If you have a specific note you need to make so you don't forget why you highlighted it, use Comments or make a note on one of the outlining worksheets. It doesn't matter if the worksheet isn't expressly made for whatever notation you are making. The point is to capture everything you think you need to fix but stay in your groove. Okay! Let's get reading and annotating! DOWNLOAD: Instructions for Analysis of Outlines Template Instructions Return to the Table of Contents Go to Day 9 - Map Your Chapter Summary to a Story Arc 5/3/2019 Day 7 - Outlining - Chapter ConflictChapter Conflict Without conflict, the character has nothing to drive them forward and the reader won't care about the character. If the reader doesn't care about the character, they don’t care about the book. Readers who don't care about the book won't leave a review, or worse, they will leave a negative review. So let's crank up the conflict in our stories and get those readers feeling bad for our characters! Conflict comes in many flavors, though generally when conflict is discussed in relation to the plot, it is speaking about the main character being up against something else. The something else can be another character, the character's self, nature, society, or something unnatural like fictional beasts, an omnipotent being, or technology. It is these conflicts that engage the character and by extension of that, engage the reader, so it is in the writer's best interest to make sure conflict is handled well in a story. Since variety is the spice of life, the conflict in our stories should be from all different sources and occur on different levels. Consider the difference between a slight disagreement to a full-out fistfight, or a dash through the rain compared to being stuck in a basement as a tornado sweeps through town. Remember too that all of our characters will handle stress, whether slight or severe in different ways, so where our main character might brush off a slight disagreement with their significant other, a disagreement with a coworker might be handled in a very different way. Finally, it's good to keep in mind that all these "little" confrontations will weigh on our characters in the same way they weigh on us. A couple of little things or even one big thing might be handled just fine, but if more and more start heaping on, we eventually reach a breaking point. The breaking point usually results in an emotional outburst of some sort (depending on the character), but the type of outburst can vary, again, depending on the character and the character's personality. Today's exercise will be about discovering all the points of conflict in our story, whether it is minor or major and indexing it so we can determine if we've heaped enough on our characters to reach the breaking point and get an emotional response from the reader. Today's Task
Days 3 - 7 are activities you can do in tandem with each other. Focus on understanding the steps you need to complete for today's outlining by working through Chapter One. As with the other outlines, today's process should be about creating today's worksheet and understanding how to use it rather than reading through the whole story and completing the outline as a single task. This is because you can read through each chapter and complete the various outlines all together and save yourself some time rather than reading through your story three or four times in a row. Remember, this is a fact-finding mission. You are analyzing what you actually wrote, not remembering off the top of your head what you intended to write. Exercise: Create a Conflict Worksheet If you are creating your notes in your OneNote Novel Editing notebook, follow these steps to complete the exercise:
Chapter Summary Parameters Chapter/Scene - Write in the chapter number or a short description of the chapter and scene. For shorthand notation, use C1S1 to represent Chapter 1 Scene 1. Point of Conflict - Provide a concise description of every conflict the main character runs into throughout your story. Every bit of aggravation should be listed, whether it's a thunderstorm, a bully, a burnt dinner, self-doubts, or a computer crash. If it gets in the way of the character's path to getting what they want, write it down. Methodology - Explain how the tension builds conflict for the character. Analysis of Conflict Once you have indexed all your points of conflict, you can analyze the stressors to see if you need to make any modifications. Review your list and ask yourself the following questions.
If you are working on Days 3 - 7 in conjunction with one another, you may have done enough today by creating your worksheets and reading chapter 1 five times in a row to get a good understanding of how you will be completing each worksheet to dig out the big plot holes. Try chapter 2 to make sure it all clicks if you need to. Day 8 will be how to find a flow to reading all the material of your novel and completing the worksheets all at once. It will give you a little more guidance on how to manage all the outlines while you read all your chapters. If you have time to begin reading more chapters after creating your Day 3 -7 outlines, go on and read Day 8. If creating your worksheets and working through Chapter 1 is all the time you have available for today, then read Day 8 when you are ready to get down to business. DOWNLOAD: Chapter Conflict Worksheet Template Instructions Tips for working by hand If you'd like to work on notepaper or set up your own table in your favorite application, include the columns listed above. The percentage listed is approximately the size you should make each column. If you are going to work by hand, don't draw the rows in until you start working and then add the rows as you complete each chapter. Next Steps If you've finished creating all the Outlining worksheets and have completed each of them for Chapter One of your book, you are ready to start the tedious process of reading and annotating. Read Day 7 for tips on preparing your workspace and using all the Outlining worksheets. Return to the Table of Contents Go to Day 8 - Find Your Flow 5/3/2019 Day 6 - Outlining - TimelineWhat are Timelines? A Timeline is a picture of how things occur within the space of time. Since we don't always write linearly, especially when we are blending in backstory throughout a novel, creating a timeline can give us a perspective of all the events as if they were linear. Creating a timeline after your write your book will make you focus on the arc of the story itself. Once you've completed it, you can compare it to a story arc (also known as the Hero's Journey) to see if you are hitting all the turning points at the right time. Since our characters are often affected by events in their past, you may find you actually need to create two timelines, one for current events and another for backstory. Today's Task
Days 3 - 7 are activities you can do in tandem with each other. Focus on understanding the steps you need to complete for today's outlining by working through Chapter One. If you have time after reading through your first chapter, go to Day 7 and begin that exercise. As with the other outlines, today's process should be about creating today's worksheet and understanding how to use it rather than reading through the whole story and completing the outline as a single task. This is because you can read through each chapter and complete the various outlines all together and save yourself some time rather than reading through your story three or four times in a row. Remember, this is a fact-finding mission. You are analyzing what you actually wrote, not remembering off the top of your head what you intended to write. Exercise: Complete the Timeline Worksheet If you are creating your notes in your OneNote Novel Editing notebook, follow these steps to complete the exercise:
Timeline Parameters Chapter - Write in the chapter number or a short description of the chapter. If you have very long chapters, you may wish to use scenes instead. Time - Add the time of day, day of the week, date, or whatever reference for time that is appropriate for the first scene in the chapter. As you work through your chapters, you will add the different time frames and events that occur. In the rest of the columns, which represent each of the characters in your story (including the antagonist), you will be adding descriptions of the action or events occurring. The idea is to make sure no character is out of place at any one point in time. A character cannot be in two places at the same time (unless you are writing some sort of science fiction and the space time continuum has been bent). You also need to make sure you have given your characters time to move from one place to another during scene changes. For characters who are not in the scenes, think about where they might be in the world of your story. They must be somewhere even if they aren't in the scene. Use a different font or pen color for scenes you have typed into your story versus off-scene characters. You will want to make sure those characters aren't in two places at once and have time to move around in your story's world as well. If you find mistakes or have questions about whether or not you've put your characters somewhere where they can't possibly be in some moment of time, make a note in the character's column. Remember! You aren't editing right now. You are reading your chapters to pick them apart. Make notes for what you need to edit later. Only read through Chapter 1 for now, then if you still have time, go on to Day 7 and start that worksheet. If you are able to create worksheets for Days 3 -7 in one sitting, that's great! It will allow you to read the rest of your chapters over the course of multiple days. If you are pinched for time, that's okay too. Do what you can and don't stress over what a long process editing can be. Try to give yourself a dedicated block of time just like you would do for writing and get done whatever you can. DOWNLOAD: Timeline Worksheet Template Instructions Tips for working by hand If you'd like to work on notepaper or set up your own table in your favorite application, include the columns listed above. The percentage listed is approximately the size you should make each column. If you are going to work by hand, include as many columns as you need. Other than the Time column which can represent day or hour, you will create a column for each important character in your story. That might mean 2 columns, 6 columns, 20 columns or more. You might need to use two or three sheets of paper wide and tape them together. Don't draw the rows in until you start working and then add the rows as you complete each chapter. Return to the Table of Contents Go to Day 7 - Outlining (Part 5 - Chapter Conflict) 5/3/2019 Day 5 - Outlining - Chapter SummaryWhy Do a Chapter Summary? One of the first things you should do after writing a novel is read for plot holes. This can be really hard as editors of our own work because our mind fills in holes for us. Outlining your novel with a chapter summary after you have written it will help you find plot holes, character discrepancies and setting disparity. Even if you plotted before you wrote the story, you should take the time to outline what you actually wrote, which could be wildly different than what you had in mind, especially if you wrote much of your manuscript during sprints. A Chapter Summary is a brief description of each chapter. As you read and focus on just one chapter at a time, you might be able to see where you missed important details. You can also make sure you understand the purpose of each chapter. Sometimes when we are sprinting, or even when we are taking our time and writing with intent, we add information that doesn't lead the story forward. Doing a chapter outline is a good chance to examine each chapter to determine, "Is it necessary?" Today's Task
Days 3 - 7 are activities you can do in tandem with each other. Focus on understanding the steps you need to complete for today's outlining by working through Chapter One. If you have time after reading through your first chapter, go to Day 6 and begin that exercise. As with the other outlines, today's process should be about creating today's worksheet and understanding how to use it rather than reading through the whole story and completing the outline as a single task. This is because you can read through each chapter and complete the various outlines all together and save yourself some time rather than reading through your story three or four times in a row. Remember, this is a fact-finding mission. You are analyzing what you actually wrote, not remembering off the top of your head what you intended to write. Exercise: Complete the Chapter Summary Worksheet If you are creating your notes in your OneNote Novel Editing notebook, follow these steps to complete the exercise:
Chapter Summary Parameters Chapter - Put the chapter number or a very short description. If you have very long chapters, you may wish to use scenes instead. Description - Condense the chapter into a few sentences. Included in your notes should be a mention of purpose. Define why the chapter is important or how it leads the story forward. When you think about whether or not the content of the chapter moves the story forward determine whether or not you could remove it completely. If the story would still be fundamentally solid without a scene, make a note in the To Do column to consider removing it. Don’t delete it! Move it to a different location in case you can use the content in another scene or even a different story. To Do - Note what you find that needs fixing. Include items that you can see you need to strengthen or anything that doesn’t make sense or that just “feels” wrong. Look for cause and effect within the chapter. Lack of cause and effect is the equivalent of lack of tension which can present itself as “An action did not cause a reaction.” Try not to focus too much on fixing the issues right while you are in the middle of your fact-finding mission. Instead, work your way through your full story and make detailed notes about any corrections you want to make. Only read through Chapter 1 for now, then if you still have time, go on to Day 6 and start that worksheet. If you are able to create worksheets for Days 3 -7 in one sitting, that's great! It will allow you to read the rest of your chapters over the course of multiple days. If you are pinched for time, that's okay too. Do what you can and don't stress over what a long process editing can be. Try to give yourself a dedicated block of time just like you would do for writing and get done whatever you can. As a final note, hang onto your chapter summary. If you decide to query agents for publication, some of them may ask you for a story synopsis. Your chapter summary will be a valuable tool in writing your synopsis. DOWNLOAD: Chapter Summary Worksheet Template Instructions Tips for working by hand If you'd like to work on notepaper or set up your own table in your favorite application, include the columns listed above. The percentage listed is approximately the size you should make each column. If you are going to work by hand, don't draw the rows in until you start working and then add the rows as you complete each chapter. Return to the Table of Contents Go to Day 6 - Outlining (part 4 - Timeline) 5/2/2019 Day 2 - Write a BlurbWhat is a Blurb?
At some point in the publication process, probably before you actually hit the Publish button, you will write the "real" blurb for your book (or find someone famous to write one for you!). At one time, the book blurb was the paragraph found on the back of a book or on the back dust cover that acted as a sales pitch for the book. Now blurbs are used all over the place including on the author's website, on social media sites, and in book trailers. You can find lots of websites giving recommendations on how to write a killer blurb and you should definitely check them out when you get ready to publish. I'd recommend any of the posts by Reedsy (https://blog.reedsy.com/write-blurb-novel/), Kindlepreneur (https://kindlepreneur.com/back-book-cover-blurb/), and Writers Write (https://writerswrite.co.za/how-to-write-an-irresistible-book-blurb-in-five-easy-steps/). The blurb you write here is not intended to be your final book blurb. This one is to give you focus for the editing process. It should help you nail down what you intended to be the essence of your story as you were writing it, including who is your main character and what is it the main character needs to do. Rather than read through your story to see if you wrote everything you thought you wrote (we'll do that later), first create the Blurb worksheet below and fill in the blanks. Exercise: Write Your Blurb If you are creating your notes in your OneNote Novel Editing notebook, follow these steps to complete the exercise:
Once you have thought this out and feel like you have figured out the essence of your story, write it on a sticky note or print it out in 18 point letters so you can refer back to it while working through the rest of your edits. DOWNLOAD: Blurb Worksheet Template Instructions Return to the Table of Contents Go to Day 3 - Outlining (Part 1 - Character Attributes) What is the OneNote Novel Editing Plan? During November's National Novel Writing Month in 2017, over 400,000 writers signed up at www.nanowrimo.org and committed to writing 50,000 words towards a novel. According to the website, more than 58,000 people met their writing goal. Many of these were first-time writers. And I suspect many of them were like me when I finished drafting my first novel. What do I do now? If you have an editor already, that's fantastic! Of course, even if you have an editor, you may still want to work through the exercises I've put together in order to hand off a copy that is as clean as you can get it because that might save your editor time which means that might also save you money. It's important to note that even though I'm providing a work-plan for editing, this doesn't mean I think you can or should forego an editor once you're done. Au contraire! An editor will be able to see things you miss because you are so "close" to your work. They will be able to point out spots that lag, inconsistencies in characters, and find spelling and grammar mistakes that you have overlooked the last 45 times you read through your work. The biggest question for someone who's written a novel for the first time is, where do I begin? It's a lot of words. It can feel incredibly overwhelming to have 50,000 words or more and not have any idea how to begin editing. That's where this OneNote Novel Editing Plan comes in. I'm going to give you strategies to get you moving in the right direction. Where Does Microsoft OneNote Come In? Microsoft OneNote is a completely free premier note-taking application. If you have Microsoft Office, you probably already have OneNote installed. On a PC, look under your Start button in All Programs > Microsoft Office. If you don't have it yet, you can download it from https://www.onenote.com. It will run on any operating system and any device you have, so you can edit anywhere anytime as long as you have access to your Editing Plan notebook and a copy of your novel. I will be showing you how to use Microsoft OneNote to store all your notes and checklists for editing your novel. The "Plan" part of the OneNote Novel Editing Plan includes setting up checklists and worksheets that will get through the editing process one day at a time. It will feel less overwhelming working in chunks than trying to tackle 50,000 words all at once! If you aren't familiar with using OneNote, I have written some posts to demonstrate how easy the application is to use. You can find a short list of instructions that will get you started on my Office Warrior page, the same place you will find the index to all the posts for this OneNote Novel Editing Plan. You will find instructions for each Exercise included with a bit of information about what type of editing you will be attacking each day. You can either follow the instructions included on the page and create the tables and checklists as you go, or you can find a download for each worksheet you are directed to create and add it to your Microsoft OneNote notebook. If you aren't familiar with Microsoft OneNote and how to use page templates, you can find instructions here. Do you have to use OneNote? Absolutely not! I've prepared templates you can download and open in OneNote, but you can do most of these exercises on paper in a notebook or journal, in Scrivener, or in any spreadsheet application o your choice. I've given you enough information in the exercises to set your worksheets up however you'd like. I'm just a huge fan of OneNote and so that's where I'm starting from. How Do I Get Started? I'm so happy you’re still with me! You'll find that most of the activities I present can be completed one at a time. In some cases, where noted, you will want to work on several of the exercises at once so you aren't having to redo steps and waste time. For instance, if you skip right to the grammar and spelling check, then find you have a gigantic plot hole that requires several chapters to be rewritten, you will need to do the whole grammar and spelling check all over again. Each activity has no set time frame for completion. One exercise may take you a few minutes while another one can take days. My first novel took 6 months to edit! After working a full-time job during the week, some nights I didn't have more than a half hour in me, but on weekends, I could usually get a couple hours in each day. (I took off holidays.) Working through all the steps of editing will make you a better writer because it will illuminate the areas where you make the most mistakes or have some weakness and you'll start self-correcting as you write your next novels. If you think you have a solid story without any plot holes, then I'd say go ahead and skip around to pick off the items where you know your story needs help. Your personal OneNote Novel Editing Plan should be created to suit your needs! Will I really get it all done in 30 days? There's a good chance you will not get all the editing done in 30 days, but it really depends on how much work your novel requires. My first novel was a train wreck. It had plot holes, weak character development, and so many more things wrong with it that I nearly gave up on it. In the end, I spent almost a full 6 months editing before I handed it off to beta readers. Then, after my betas gave feedback, I spent a couple more months revising. What is important to remember is that editing is not a race. It's a marathon. Pace yourself. Your journey into editing might take five days or it might take five months. The goal should be to turn your great story into a masterpiece. Don't compare yourself to others! Day 1 - Set Up Your OneNote Notebook and Create Your Editing Checklist starts tomorrow. If you want to see what's coming in future posts, peruse the OneNote Novel Editing Plan's Table of Contents. Anything without a live link is still to come. Days 3 - 7 will be posted all at once on May 3 because the exercises for those days can be done in tandem with each other. This doesn't mean you have to do them all at once, it's just an option since reading through your novel five times could be tedious. Best wishes and happy editing! Return to the Table of Contents Go to Day 1 - Set Up Your OneNote Notebook and Create Your Editing Checklist |